Practice · 1984–2026

Four decades,
one continuous field.

From early abstraction and material experiment to layered visual systems organized by figures, signs, and familiar objects.

01

1980s

Abstraction, material experiment, and the first sustained studio practice.

Vertical abstract work from 1985 formed by rectangular areas of color and texture.
Sem título, 198545 × 63 cm
Horizontal abstract work from 1985 in earthy reds with a repeated pattern.
Sem título, 1985130 × 90 cm
Material work from 1985 composed of compressed paint tubes arranged in a rectangular field.
Tubos de Tintas Prensados, 1985
02

1990s

Looser fields begin to admit containers, compartments, and recognizable forms.

Abstract 1990 work in grays with blocks, scratches, and contained areas of color.
Sem título, 1990100 × 100 cm
1990 work with gray and red fields and a vessel form suggested by gestural lines.
Sem título, 1990100 × 100 cm
1995 work with an abstract vessel and flowers in a gray, red, and white composition.
Sem título, 1995150 × 120 cm
03

2000s

Pop references, objects, figures, and urban fragments gather into collage-like structures.

2001 work with pop icons, figures, and colored areas organized like a collage.
Sem título, 200180 × 120 cm
2001 pop-language work with a grid, objects, characters, and vivid colors.
Sem título, 200180 × 100 cm
2001 work with urban scenes and everyday objects distributed in colored compartments.
Sem título, 200180 × 120 cm
04

2010s

Writing, symbols, and repeated marks condense into increasingly dense systems.

2014 work dominated by yellow with overlapping graphic signs and figures.
Sem título, 2014100 × 100 cm
Green vertical work from 2014 with densely accumulated writing, figures, and lines.
Sem título, 2014120 × 150 cm
Gray and green square work from 2014 with a figure and gestural signs.
Sem título, 2014130 × 130 cm
Vertical painting with musical references, writing, and icons distributed in an intense colored mesh.
The Police, 2015120 × 150 cm
05

2020s

Open visual maps meet anchoring objects that create pauses without stopping the flow.

Large painting with flowers, a vessel, and a figure articulated through lines and fields of color.
Tututa, 2024136 × 150 cm
Horizontal painting of musical and urban references built from writing, figures, and vivid color.
Hotel California, 2024140 × 100 cm
Vertical painting with writing, characters, and signs over a graphic structure of primary colors.
Bic, 2024100 × 120 cm
Layered vertical painting with architecture, vegetation, road signs, and collage fragments.
Andaime, 2024120 × 150 cm
Vertical painting with city, bottle, map, and orange-blue splashes in a kaleidoscopic structure.
Caledoscópio, 2024100 × 140 cm
Red, gray, and blue painting with city, fish, cup, and writing distributed in layers.
O Sol Pega o Trem Azul, 2024100 × 140 cm
White, red, blue, and yellow painting built from inscriptions, arrows, and graphic forms.
Sob, 2024100 × 120 cm
Vertical painting with paths, words, figures, and colors interwoven like an open map.
I Follow Rivers, 2025100 × 120 cm
Vertical painting filled with icons, words, and paths suggesting an imagined city in motion.
E La Nave Vá, 2025100 × 120 cm
Small vertical painting with shifting figures, writing, and signs in intense layers.
Metamorfose Ambulante, 202560 × 90 cm
Square painting in pink, green, and white with flowers and a vessel organized as visual territory.
Mapa, 2025120 × 120 cm
Dark-ground painting combining a saintly figure, inscriptions, and urban signs.
Sta. Edwirges, 202570 × 90 cm
Painting with flowers, a blue figure, numbers, and graphic references in a collage-like composition.
Some Girls, 2025120 × 140 cm
Square painting by Alessandro Maciel with a black chair anchoring a dense field of lines, signs, and color.
O Mural e a Cadeira, 2026150 × 150 cm
Vertical painting with an orange stool before a layered weave of gestures, words, and forms.
O Banco Laranja, 2026100 × 150 cm
Vertical painting in which a blue stool organizes a vibrant field of lines, marks, and urban signs.
O Banco Azul, 2026100 × 150 cm
Painting from the Vazando series with a pale vessel beneath a field of lines and chromatic fragments.
Vazando 4, 2026100 × 100 cm
Painting from the Vazando series with a vessel creating a visual pause among dense marks and saturated color.
Vazando 1, 202690 × 110 cm
Vertical Vazando painting with a vessel and a flow of symbols, lines, and layered color.
Vazando 2, 202680 × 120 cm
Vertical Vazando painting with a dark vessel anchoring a graphic, multicolored composition.
Vazando 3, 202680 × 120 cm
Blue-toned painting with references to sea, surf, and travel organized as a visual map.
Nós Vamos Invadir Sua Praia, 2026120 × 120 cm
Vertical painting dominated by pink and crossed by signs, lines, words, and small figures.
O Rosa, 2026100 × 150 cm
Narrow vertical painting with figures, letters, and overlapping paths in an ascending rhythm.
Ronda, 202690 × 160 cm
Square painting with a bouquet and blue vase emerging from an urban landscape of signs and color.
Buque Urbano, 202690 × 90 cm